Digital scan of a Brighton Leader Newspaper Article about a Siren performance of their play 'Hotel Destiny' at The Nightingale in Brighton, 1987.
This shows a photo of Jane Boston as the character ‘Chance’ in Siren’s play ‘Hotel Destiny’. The photo was taken by Anita Corbin (but the photo is not of Ms Corbin, as wrongly described). The preview was for the opening of ‘Hotel Destiny’ at the Nightingale Theatre in Brighton.
This is one of a number of posters used to promote Siren’s play ‘Mama’s Gone A’Hunting’. It is created in the form of an urgent telegram outlining the plot of the show, stating that woman intends leaving for a new planet without man.
The digitally produced poster was felt to be a ‘new’ form of photography at the time that it was on the high street, predating all the digitisation of photos that are now done on one’s own devices. Siren felt it reflected the futuristic content of the play.
This shows the programme cover of the pay Pulp. The programme shows a number of adverts, including from prominent lesbian organisations, such as Rackets, Dimples and Lesbian Line, as well as feminist companies such as Silver Moon bookshop Women’s Press. Nalgo (National and Local Government Officers Union) took out a full page advert supporting lesbian and gay rights. The programme promotes Siren’s cabaret show ‘Chic to Chic”, as well as their cassette ‘Siren in Queer Street’ and vinyl record ‘Siren Plays’. Page 4 & page 8 have the lyrics of seven sounds from Pulp, which were written by Jane Boston, and performed live by Siren. Page 5 has the Company Policy and a description of the play ‘Pulp’. It also shows some excerpts from reviews of previous plays. The play was directed and choreographed by Noelle Janaczewska. The artwork and layout of the programme was by Jenny Millington.
Two reviews about the play ‘Curfew’ when it opened at the Oval House Theatre, London. The review at the top of the image is from 'Spare Rib', published in March 1982. It features a photo of Jane Boston as Calamity Jane. The review at the bottom of the photo is from 'The Stage', published in February 1982.
Digital reproduction of the cover of Spare Rib, and the review of Siren’s show ‘From the Divine’.
The reviewer, Liz Horsfield, writes that Lily is far more interested in Ruby [or}“is it me being a lesbian that makes me think so?” No matter how ‘out’ Siren was as a company, it perhaps wasn’t always obvious to the audience or reviewers.
The play opened at the Drill Hall in London for 2 weeks in 1985 and was sold out every night. It returned to the Drill Hall in January 1986,.
Manny describes Pulp as "a feminist play par excellence, brilliantly acted, refreshing, hilariously entertaining".
This shows a two-page letter from a young lesbian about to take her A-levels after seeing the play ‘Pulp’. This poignant letter reveals how hard it was to be identified as a lesbian at this time.
This shows a letter written after the play ‘Now Wash Your Hands Please’ to South East Regional Arts Association, asking for support and recognition for Siren to enable them to reach wider audiences.
This shows a letter of appreciation written after Siren had performed ‘Mama’s Gone A’Hunting’ at Boundstone School. The letter highlights that pupils staff and friends were impressed by the …’stimulating thought provoking performance'.
This is a review of two plays, 'Mama’s Gone A’Hunting' and 'Curfew', which were performed on two consecutive nights in St Ives at The Parish Rooms.
As well as commenting on the performers acting ability, the review highlighted the lighting of both plays, as being harsh and beautiful.
This shows a preview of “From the Divine’ which was performed at The Millfield House Arts Centre in Edmonton, London.
Ticket prices were shown as £1.75 full price or £1.15 concessionary fare.
The preview has an interview with Jane Boston who played Magda.
Salvadori describes the play as "a homage to Fifties B-movies with ladykillers, Mafia plots, and McCarthy conspiracies. But it's also a parody, poking fun at the femme fatale image and the clean cut freshness of stars like Doris Day."
The review was written after a performance at the Old Bull Centre, Barnet. The article is headlined "Wickedly Clever", and Leeb describes Siren Theatre Company as a "committed, courageous, refreshingly honest, and highly versatile trio".